Shadow in the House — A Reader’s Guide
Edition facts
This digital edition of Shadow in the House — A Reader’s Guide is described by source-level measurements including 81,344 words, 5 hr 54 min estimated reading time, and 32 detected text sections.
The text analysis averages about 11.0 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Detective and mystery stories,” connecting these edition facts with the source record’s subject description.
Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.
How this score is calculated
- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
she had taken rather than given.
[1] “The Last Trap,” Dodd, Mead & Co., New York City, N. Y.
Recalling his latest words, she banished her doubts. Of course, he loved her! It was the game that he missed! Paul Bernard, a name familiar and respected in official circles on two continents, had retired. Was ever a famous man content with love alone?
Nor did she blame him--much.
The reunion with Elsa and Landis had been a success. But she smothered a sigh as she gave the signal to rise.
“Come along, Elsa! These two head-hunters want to talk shop. We’ll leave them to steep themselves in crime!”
With a backward glance at her husband she slipped her arm about the girl and led her out of the room.
Bernard and Landis entered the drawing-room and settled themselves in the midst of that surprising conglomeration of savage weapons and hunting trophies with which their hostess had decorated the place. To them appeared Mrs. Bernard’s soft-footed houseboy, Tsu. He set tiny cups of coffee and tall, icy glasses at their elbows and as silently withdrew.
“Pretty decent of you to come back and hobnob with a murderer,” observed Bernard at length.
Landis cocked an ironic eye at him, then shook his head slowly. “Don’t rub it in, sir!”
“Why, you pinned the thing on me and I admitted it! If Charles Carson hadn’t murdered Foot, where would I be today?”
“Where you are, d--n it!”
Landis had flushed a little. “When I offered not to denounce you that day I felt very skilful and very magnanimous. Since then I’ve felt less so, on each count. There wasn’t a link missing in the chain that led to you. You confessed readily--too blamed readily. A man of your character and achievements simply couldn’t commit a cold-blooded murder and try to hide it. I don’t know your motive. But if you know who _did_ murder Carson, for the love of Mike, tell me!”
“What steps will you take?” smiled Bernard. “You’re in harness yet, remember, while I’m out to graze.”
“If _you_ haven’t taken any, I won’t!”
Thereupon, preceded by a brief, slightly apologetic explanation of his own reason for confessing, Bernard named the real murderer of Henry Carson.
Landis was too surprised to offer any immediate comment. Moreover, he was busy with a swift readjustment of the evidence in the light of what he had heard.
At length he laughed. “So simple we never thought of it! Well, I’m glad you didn’t guess either, until you were told. It was a pretty white thing you did.”
Bernard frowned and fumbled with his pipe.
“That heart attack you had on the stairs!” cried Landis suddenly. “It was fake after all!”
“If there’s anything wrong with me,” growled Bernard, “it isn’t my heart!”
There the Carson case reached a final summation.
Now Landis, who had grown very fond of his gruff colleague, had been watching him during dinner. He had found the old detective just a little subdued. Maybe domesticated was the word. Nor had he altogether missed a softening doubt--a trace of worry--in Mrs. Bernard.
With an eye on the face of his host he probed a little, after a fashion of his own.
“Well, marriage is a great institution, sir! And yet, though I’m almost ashamed to admit it, I shan’t be sorry to get back to work!”
Someone with a turn for imagery once compared the look of Bernard to that of a weatherworn and rocky cliff with the sun on it. At this moment a shadow darkened that roughhewn profile as though a cloud were passing overhead. “We’re both lucky--” Bernard declared with slow precision, “luckier and happier than we deserve, young fellow!”
“We certainly are, sir! But then, a man needs his work to round out the picture!”
Bernard frowned and stirred restlessly. He turned his head and caught his guest’s eyes on him. Landis was smiling a little. Bernard thumped back into his chair until it creaked beneath his weight.
“Why, you--you d--d, young billygoat!” he snorted. “Pumping me, were you! That’s what a man gets for crawling on the shelf--rusty wits!”
“I’ll probably need you!” Landis explained blandly. “To me, sir, you’re like a fine, staunch craft in harbor, with the winds of the open sea whispering through the rigging. Says I to myself: if I can just whistle loud enough through that rigging, why maybe he’ll put to sea again! Only don’t tell Mrs. Tall--Mrs. Bernard. Fact is, the real top-notchers are badly needed these days!”
“And you’re the boy to supply the wind,” Bernard growled. “Now it’s flattery, eh?”
The first chapter of Shadow in the House establishes its tone through a single, carefully observed phrase: the dinner party is marked by 'ebullient reticence.' The newlywed Landis and Elsa glow with contentment, while Mrs. Paul Bernard watches her husband with a 'novel pang of doubt,' noting a 'slightly patient droop to his shoulders.' This domestic unease, set against the backdrop of a police detective's home, primes the reader for a mystery where emotional undercurrents matter as much as clues.
A Detective at Home
The opening places detective Bernard not at a crime scene but at his own dinner table, surrounded by family. His wife's scrutiny of his mood—'her effort had been not to see it'—suggests a man carrying unseen burdens. Landis, his new son-in-law and fellow officer, is about to join him at Headquarters, creating a professional partnership layered with personal ties. The excerpt hints at a prior case that 'brought them all together,' but the details remain veiled. Readers should note how Gluck uses domestic settings to reveal character: Bernard's 'veiled affection' for Landis contrasts with his wife's unspoken worry, establishing a household where observation is a reflex.
Archery and Alibis
Archery emerges as a recurring motif. A character named Brent is described as 'a peach of a shot,' and he and Uncle Joel are 'regular cronies over archery.' The weapon's significance becomes clear when a lace handkerchief is found, leading to a tense interrogation of Isabelle Harrison. She admits to quarreling with her fiancé over Anita, then lying about her whereabouts. Bernard's questioning is pointed: 'Only the truth will serve you now!' The handkerchief, dropped in the hall, becomes a tangible link between Isabelle's fib and the murder. Readers should track how physical objects—a handkerchief, an arrow—anchor the investigation.
The Body and the Household
By the end of the excerpts, Harrison's body has been moved from the floor to a library couch, and the detectives are given rooms in the wing. Bernard and Landis share a bathroom with Allen, while Russell observes from his bedroom. The household is now a closed circle of suspects. Bernard's final remark—'I guess we will add Brent to our list of possible suspects'—widens the net. The chapter title 'Walk Into My Parlor' (from Chapter XVII) hints at entrapment. Readers should note the spatial layout: the wing, the hall, the library. Where characters sleep and move matters.
Voice and Structure
Gluck's prose is economical, with dialogue that reveals character through rhythm. Bernard speaks in 'slow, lugubrious tones'; Landis adopts a 'cheerful' demeanor. The narrative shifts between external action and internal observation, as when Mrs. Bernard 'paid no heed' to words but noted her husband's voice. The chapters are short (27 in total), with titles like 'The Blunted Arrow' and 'Susan Had Hysterics' that promise both plot and personality. Readers should attend to the interplay between what is said and what is noticed—the 'ebullient reticence' of the opening extends to the entire investigation.
As you read, watch for the small details that Gluck plants early: a dropped handkerchief, a shared bathroom, a character's 'patient droop.' The mystery unfolds not through grand reveals but through the accumulation of such observations. The household is a stage where every gesture may be a clue, and every silence a confession.
That rainy afternoon, I kept circling back to Gluck’s locked-room puzzle—the way a single arrow could unspool an entire household’s secrets. It made me think of other quiet violences hidden in plain sight, so I found myself pulling down Annihilation — Edition Insights, and the afternoon somehow carried on, another kind of unraveling, no map needed.
There are no reviews for this eBook.
How did this book work for you?
Your answers remain private and are stored only in this browser.