Murder at Bridge — A Closer Reading

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In Category - Mystery Collections
Austin, Anne, 1895-1975 Project Gutenberg 2006 Not confirmed
Fiction; Detective and mystery stories Readers of public-domain and historical texts
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Edition facts

Words 91,843
Reading time 400 min
Text sections 10

Before opening Murder at Bridge — A Closer Reading, the edition data offers a quick orientation: 91,843 words, 6 hr 40 min estimated reading time, and 10 detected text sections.

The text analysis averages about 16.9 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Fiction,” connecting these edition facts with the source record’s subject description.

Anne Austin's 1931 mystery novel introduces special investigator James F. Dundee and secretary Penny Crain in a Hamilton, Illinois murder case. The victim, Nita Selim, is killed during a bridge game, and the suspects include four prominent men. The narrative balances procedural detail with character-driven tensions.
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Editorial Edition Score 4.8/5

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  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

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Read the Text

Dundee did not fail to notice the softening, nor did the little heart-shaped face, with its low widow's-peak, its straight, short nose, and its pointed little chin, made almost childish by the deep cleft which cut through its obvious effort to look mature and determined, fail to please him any more acutely than on the other days of the one short week he had been privileged at intervals to gaze upon it.

"But the files, and--other things--are in this office," he told her, his blue eyes twinkling happily once more.

"Don't you _dare_ touch my files again!" Penny cried, springing to her feet and running toward the wall which was completely concealed by drawers, cabinets and shelves, filled with the records of which she was the proud custodian. "That's why I said just now that you were driving me crazy. Thursday you took a whole folder of correspondence out of the letter files and put it back under the wrong initial. I had to hunt for it for two hours, with Bill--I mean, Mr. Sanderson--gnawing his nails with impatience. He thought I had filed it wrong, and you might have made me lose my job."

Unconsciously her slightly husky contralto voice had sunk lower and trembled audibly.

"I'm awfully sorry. I shan't touch your files again, Miss Crain."

"Oh--go on and call me Penny," she conceded impatiently. "What do you want now?... And you can get anything you need out of the files if you'll just put the folder in the bottom drawer of my desk, so that I can file it myself--correctly!"

"Thank you, Penny," Bonnie Dundee said gravely. "I'd like awfully to have the complete transcript of 'The State versus Maginty.' Mr. Sanderson is determined to get a conviction where our former district attorney most ingloriously failed. The new trial comes up in two weeks, and he wants me to try to uncover a missing link of evidence."

"I know," she nodded, and stretched her short, slender body to pull down the two heavy volumes he required.

Without a by-your-leave, Special Investigator Dundee resumed his comfortable seat, and laid the first of the volumes open upon his knees. But he did not seem to take a great deal of interest in the impanelling of jurors in the case of one Rufus Maginty, who had won the temporary triumph of a "hung jury" under the handling of the state's case by District Attorney Sherwood, deposed in November's election.

Rather, his eyes followed the small, brisk figure of Miss Penelope Crain, as it moved about the room, and his ears listened to the somehow charming though emphatic tapping of her French heels.... French heels! Hadn't she been wearing sensible, Cuban-heeled Oxfords all other days of this first week of his "attachment" to the district attorney's office?... Cunning little thing, for all her thorniness and her sharpness with him, which he now saw that he had deserved.... Pretty, too.... Damned pretty!... What color was that dress of hers?... Ummm, let's see ... Chartreuse, didn't they call it? Chartreuse with big brown dots in it. Bet it was sleeveless under that short little jacket of golden-brown chiffon velvet.... By Jove--and Dundee lapsed into one of the Englishisms he had picked up during his six months' work in England as a tyro in the records department of Scotland Yard, before he had come to Hamilton to make a humble beginning as a cub detective on the Homicide Squad--yes, by Jove, she was all dressed up, for some reason or other.

"Of course! Because it's Saturday and you have the afternoon off!" Dundee finished his reverie aloud, to the astonishment of the small person trying to reach a file drawer just a little too high for her. "I mean," he hastened to explain, "that I've just noticed how beautiful your costume is, and found a reason for it."

There was sudden color in the creamy face. The French heels tapped an angry progress across the big office, and Penny sat down abruptly in her swivel chair, reached across the immaculate desk, snatched up a morning paper and tossed it, without a glance, in the general direction of her tormentor.

"Page three, column two, first item," she informed him ungraciously, and then began to search with a funny sort of desperation for more work to consume her extraordinary energy.

Bonnie Dundee grinned indulgently as he opened _The Hamilton Morning News_ and turned to the specified page and column.

"Ah! My old friend, the 'society editress,' in her very best style," he commented as he began to read aloud:

"'Mrs. Juanita Selim, new and charming member, is entertaining the Forsyte Alumnae Bridge Club this afternoon, luncheon to be served at the exclusive new Breakaway Inn on Sheridan Road--'"

Anne Austin opens Murder at Bridge with a brisk exchange between special investigator James F. Dundee and secretary Penny Crain, establishing a dynamic of playful antagonism that persists throughout the excerpts. Dundee's lazy confidence and Penny's bristling formality create an immediate contrast in temperament, while the office setting grounds the story in the routine of a district attorney's office. The murder itself—a Broadway belle killed during a bridge game in the small town of Hamilton—is introduced through newspaper headlines and the district attorney's wry commentary, signaling a collision between urban notoriety and Midwestern propriety.

Character Dynamics and Office Politics

The excerpts reveal a tightly drawn cast defined by their relationships to authority. Dundee's nickname for Penny Crain—"a bright and shining new penny"—is met with her sharp insistence on formal address, a resistance that underscores her professionalism and her long-standing familiarity with District Attorney Sanderson. Sanderson himself is described as "big, good-natured, tolerant" yet formidable in court, a duality that shapes his handling of the case. The tension between Dundee's investigative instincts and Sanderson's personal connections to the suspects—"some of the best friends I have in the world are mixed up in this mess"—hints at conflicts of loyalty that will test the office's internal dynamics.

The Bridge Game as a Scene of Crime

The murder occurs during a bridge game, a setting that Austin uses to blend social ritual with violence. The district attorney's rueful joke about "the dangers of being dummy" reflects the public's morbid fascination, while the investigation focuses on four male guests: Judge Marshall, Tracey Miles, Johnny Drake, and Clive Hammond. The excerpts emphasize the incongruity of such a crime among these men—"none of those four men could have committed such a cheap, sensational crime"—suggesting that the solution will hinge on hidden motives beneath respectable surfaces. The "ghastly replay" of the game's final moments becomes a key investigative tool, turning a leisure activity into a forensic puzzle.

Voice and Period Detail

Austin's prose is marked by brisk dialogue and period-specific language. Terms like "bonhommie," "truculently," and "jury-swaying baritone" evoke the 1930s, while the office banter and newspaper references ground the story in its era. The description of Sanderson's "always rumpled mop of sandy hair" and Dundee's "long and rather fine pair of legs" suggests a focus on physical detail as a means of characterization. The excerpts also include a ground-floor plan of the murder house, indicating a methodical approach to setting that complements the procedural elements of the plot.

Readers attentive to the interplay between Dundee's investigative methods and Sanderson's personal stakes will find a mystery that balances procedural logic with character-driven suspense. The bridge game setting, with its inherent social tensions, provides a compact stage for a crime that disrupts the expected order of a small-town gathering.

I kept thinking about how a murder can sit so quietly between people playing cards, all those polite tensions underneath. It reminded me of another one, The Incendiary: A Story of Mystery — A Closer Reading, where the fire does something similar—it pulls back a curtain nobody wanted moved. Both left me with that odd, gentle ache of watching ordinary civility crack.

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