Cyriel Buysse was a Flemish writer known for his realistic, often critical look at society. 'Plus-Que-Parfait' is a great example of his work, pulling back the curtain on the upper class of his time.

The Story

The book centers on the Van Goidsenhoven family. Monsieur Van Goidsenhoven is a successful, stern businessman who values reputation above all else. His wife, Madame, dedicates herself to managing their social standing and their lavish home, 'More Than Perfect.' Their adult children, Alice and Robert, live under this heavy shadow. Alice is expected to make a brilliant marriage, while Robert is pressured to join the family business, though his passions lie elsewhere.

The plot kicks into gear when Robert's independent spirit and Alice's desire for genuine love clash violently with their father's unbending will. A series of small rebellions and hidden disappointments begin to fracture the family's perfect facade. The tension isn't about loud arguments (at least not at first), but about stifled conversations, meaningful glances, and the weight of unspoken expectations. Buysse masterfully shows how a home that looks like a paradise can feel like a prison.

Why You Should Read It

What grabbed me was how familiar these characters felt. Even though it was written over a century ago, the family dynamics are timeless. That controlling father, the mother trying to keep the peace, the kids wrestling with duty versus desire—you’ve seen it before, maybe even lived it. Buysse doesn't paint heroes or villains; he shows us flawed people trapped by their circumstances and their own choices.

The writing is clear and direct, pulling you into the quiet drama of everyday life. You feel the stiffness of the formal dinners and the loneliness in the grand rooms. It’s a slow burn, but the emotional payoff is worth it. You’ll find yourself equally frustrated by and sympathetic to each family member.

Final Verdict

This book is perfect for readers who love character-driven family sagas or historical fiction that focuses on social dynamics rather than big battles. If you enjoyed the tense, atmospheric drama of novels like 'The Remains of the Day' or the unflinching look at family in 'The Corrections,' you’ll find a similar vibe here. It’s a short, powerful read that proves some struggles—between tradition and change, image and truth—are truly universal.